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- Anatomy of an Irish Session – In-Person
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Item Number: S25ARTS344A
Dates: 4/7/2025 - 4/14/2025
Times: 9:00 AM - 10:30 AM
Days: M
Sessions: 2
Maximum Enrollment: 34
Building: Campbell Center
Room: Room A
Instructor: Patricia O'Scannell
This course is full. Please click the "Add to Waitlist" button. Please note: You must be signed in and be a current member (or have a membership in your cart) to access the "Add to Waitlist" button. In this course, Pat O’Scannell, a performer of Irish traditional music who has attended Irish sessions in the U.S., Canada and Ireland for over 40 years, will introduce students to the Irish session. No previous musical knowledge is required, and questions are welcome. The first meeting includes a full description of the session and a discussion of its history, cultural importance, function and place in the modern world. The second meeting concentrates on the instruments and the details of their history, construction and technique. It will go into more depth on two vocal traditions, ballad singing and sean nós, that one might find at play in an Irish session. The meeting will conclude with a mini-session. A brief bibliography will be made available to the students, as well as supplemental resource material with an extended bibliography, lists of players, singers, festivals, periodicals and other items of interest to those who wish to explore this subject matter more fully on their own.
NOTE: The class includes an optional three-hour lab consisting of visits to Irish sessions at Dunbar Winery, 2881 Hillcrest Road, Medford, on Thursdays from 5:30 to 7:30 p.m., and at the Copper Plank at the Elks Lodge, 202 N. Central Ave., Medford, Saturdays from 5 to 8 p.m.
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- Beethoven: Talking Points – In-Person
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Item Number: S25ARTS345A
Dates: 4/4/2025 - 5/2/2025
Times: 3:30 PM - 5:00 PM
Days: F
Sessions: 5
Maximum Enrollment: 53
Building: Campbell Center
Room: Room D
Instructor: Asadour Santourian
This course is full. Please click the "Add to Waitlist" button. Please note: You must be signed in and be a current member (or have a membership in your cart) to access the "Add to Waitlist" button. This is the first in a series of courses on Beethoven. The initial five sessions will focus on the biography of this musical revolutionary, eventual romantic and, finally, iconoclastic pathfinder. The classes will define becoming Beethoven: biographical, historical and musical evolution over three seamless defining periods of his early, middle and late output. Throughout the sessions, participants will listen and discuss works that illustrate the evolution from imitative to innovative development of his output, identifying these three stylistically distinct periods. Beethoven’s musical genius and his work was to become the litmus test for composers for generations to come. The format of this course will include listening to selected musical works, discussion and discourse. Brief reading assignments will be given. Previous knowledge of Beethoven’s life and works is not essential.
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- Beginning Blues Harmonica – In-Person
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Item Number: S25ARTS150M
Dates: 4/1/2025 - 5/13/2025
Times: 1:00 PM - 3:00 PM
Days: Tu
Sessions: 7
Maximum Enrollment: 21
Seats Available: 8
Building: Medford Higher Education Center
Room: Room 118
Instructor: Irv Lubliner
Playing the harmonica can bring joy to you, to other musicians with whom you play and to those who enjoy listening to music. In class, we’ll listen to recordings to become familiar with the typical chord progressions one hears when listening to the blues. Then we’ll improvise harmonica “riffs” (strings of notes that sound good) that complement them. We will let our ears guide us, playing the notes that our hearts and gut-sense tell us sound right. We will not be reading music or expecting to play a given song in exactly the same way twice. As with any skill, it takes practice to be a good harmonica player, so you will be expected to practice on your own between classes. The instructor will direct you to recordings and online resources that provide background music with which to practice. Having access to a CD player, the internet and a computer with speakers will be essential.
NOTED: A $15 fee is due at the first class meeting for materials. The instructor will provide each student with two Blues Band harmonicas in different keys, printed materials and audio recordings (on CD). Each class session builds on the one before, so it is important that students attend all sessions. Students who know they will miss a class are asked to take the class during another term.
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- Beginning Blues Harmonica – In-Person
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Item Number: S25ARTS150A
Dates: 4/2/2025 - 5/14/2025
Times: 1:00 PM - 3:00 PM
Days: W
Sessions: 7
Maximum Enrollment: 21
Building: Campbell Center
Room: Room E
Instructor: Irv Lubliner
This course is full. Please click the "Add to Waitlist" button. Please note: You must be signed in and be a current member (or have a membership in your cart) to access the "Add to Waitlist" button. Playing the harmonica can bring joy to you, to other musicians with whom you play and to those who enjoy listening to music. In class, we’ll listen to recordings to become familiar with the typical chord progressions one hears when listening to the blues. Then we’ll improvise harmonica “riffs” (strings of notes that sound good) that complement them. We will let our ears guide us, playing the notes that our hearts and gut-sense tell us sound right. We will not be reading music or expecting to play a given song in exactly the same way twice. As with any skill, it takes practice to be a good harmonica player, so you will be expected to practice on your own between classes. The instructor will direct you to recordings and online resources that provide background music with which to practice. Having access to a CD player, the internet and a computer with speakers will be essential.
NOTED: A $15 fee is due at the first class meeting for materials. The instructor will provide each student with two Blues Band harmonicas in different keys, printed materials and audio recordings (on CD). Each class session builds on the one before, so it is important that students attend all sessions. Students who know they will miss a class are asked to take the class during another term.
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- Broadway Musicals: Let Us Entertain You – In-Person
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Item Number: S25ARTS304A
Dates: 4/3/2025 - 4/24/2025
Times: 3:30 PM - 5:00 PM
Days: Th
Sessions: 4
Maximum Enrollment: 78
Seats Available: 45
Building: Campbell Center
Room: Room E
Instructor: Jerry Rubin, Lee Fishel
This course is designed to inform and entertain you! There will be videos of scenes from the most popular Broadway musicals by decade from the 1890s to 2015. There will be reviews and short discussions of the leading writers of the lyrics and music such as Rodgers and Hammerstein, Johnny Mercer, Cole Porter and George and Ira Gershwin, up through Lin Manuel Miranda. The leading choreographers, producers, book writers and show doctors will also be discussed, along with behind-the-scenes stories regarding the making of the musicals. There will be opportunities for class discussion and questions. Join us for class sing-alongs.
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- Front Porch Music – In-Person
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Item Number: S25ARTS307A
Dates: 4/3/2025 - 5/22/2025
Times: 11:00 AM - 12:00 PM
Days: Th
Sessions: 8
Maximum Enrollment: 12
Building: Campbell Center
Room: Room E
Instructor: Norman Hale
This course is oversubscribed. The waitlist is full and the course is now closed.
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- The Music of J.S. Bach: The Brandenburg Concerti – Online
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Item Number: S25ARTS326
Dates: 3/31/2025 - 4/21/2025
Times: 1:00 PM - 2:30 PM
Days: M
Sessions: 4
Maximum Enrollment: 299
Seats Available: 215
Building: Online
Room: (Zoom)
Instructor: Peggy Evans
This is the third in a series of courses on the music of J.S. Bach, this time focusing on the six Brandenburg Concerti. The class will examine Bach’s life and background, characteristics of the Baroque period and examination of concerto form. No previous experience is necessary. PowerPoint with YouTube examples will be used.
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- Time, Tempo and Timbre With Three Women Composers – In-Person
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Item Number: S25ARTS338M
Dates: 4/28/2025 - 5/12/2025
Times: 10:00 AM - 11:30 AM
Days: M
Sessions: 3
Maximum Enrollment: 50
Seats Available: 40
Building: Rogue Valley Manor, Skyline Plaza
Room: 1 Skyline Drive, Medford
Instructor: Karen Clarke
“Fanfare for the Uncommon Woman,” composed by Joan Tower, sets the stage for exploring the works of three women composers, each reflecting a different era. Travel through time with Clara Schumann (1819-1896), Florence Price (1887-1953) and Joan Tower (1938-present), examining their music as composers and pianists. How did these women live? In what ways did societal, cultural and historical context impact each musician’s artistic ideas and work? What barriers did they have to overcome? Why does their music live on today? One class session will be spent on each composer, learning her story while exploring sources of the creative ideas, concepts and feelings that influenced the musician’s work. The class will explore their individual impact on classical music over time and discuss impacts yet to be imagined. Instructional methods include lectures supported by PowerPoint, listening to musical samples of each composer’s work and class discussion.
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